At a pub, dj Tillu (Siddhu Jonnalagadda) has a chance with Radhika. They quickly get romantically involved, and the latter invites him to her home. Tillu, on the other hand, is utterly oblivious that she is wedded. When he arrives at her house and finds himself in unforeseen trouble, things take a dramatic turn. Several individuals are after dj Tillu and radhika as a result of the circumstance. Everyone has a cause to extort money and blackmail others. The fundamental narrative of the film revolves around dj Tillu evading extreme circumstances utilising his bumbling (but confident) methods.


Siddhu is the film's lifeline, having co-written the storey and screenplay with director vimal Krishna. He knows the character inside and out because he has been a part of it since the beginning. It aids him in keeping in character and naturally conveying dialogue. The material is also lifted by the strange body language. The figure of dj Tillu and the discussions drew viewers in from the beginning of the promotional materials. It instilled in siddhu a sense of responsibility, which he has largely met. dj Tillu is, without a doubt, the best role in the actor's (as a lead) rather brief career to date.


DJ Tillu is directed by vimal Krishna. In conjunction with Siddhu, he also supplies the storey and screenplay. Because the storey is based on a sliver of an idea, it required superb directing, script, and dialogue to keep the audience's interest. Up to a degree, the team is successful in delivering them. The first part of the film is hilarious, as we are introduced to dj Tillu and his bizarre persona. The language, slang, dialogues, and, most importantly, Siddhu's portrayal of the character keep us captivated to the screen. The attitude pulls us over, and the whole thing shouts freshness with a capital F.


As previously stated, there isn't much of a tale. It's the simple details that make a big difference. The protagonist couple's chemistry, as well as the bizarre situations they find themselves in, provide plenty of laughs to keep us entertained. The interval mark displays evidence of repetition, but at that time, it doesn't matter. When things resume in the second half after the break, however, it appears that the team, too, has taken a rest (on paper) and has not returned. The amount of engaging (and enjoyable) content has decreased. The entire amnesia block is exhausting beyond belief.


Overall, The movie after the interval falters and we get Half-Baked Entertainment!

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