The indian film industry is a gambling ground for everything. Nobody is aware of the types of movies that do well at the box office. Do people actually go to see all the big movies if they aren't in the mood to spend their money on tiny movies at the theatres? Is patronage comparable to that of KGF2 and rrr possible for all major motion pictures? We are in reality living in the post-pandemic era, and every film's conclusion causes these questions to pop into people's minds.
The Yashraj Films-produced, high-budget movie Shamshera debuted to some fanfare, at least within the bollywood community. However, nothing met expectations, and everything came to naught. Both the small audience that saw the movie the first day and the critics gave it harsh criticism. The succeeding collections were small and the apertures were feeble. Overall, this has been a huge box office failure.
It is a hackneyed revenge tale with a dual role for the main character. It involves a young man named Baali who turns into a shamshera and engages in snugfests with the british and Shuddh Singh on opposing sides. There are far too many songs in the movie, and it all feels like it was made in the 1980s or 1990s. The plot is dated, and it is unclear why Yashraj Films decided to take on this production. The conclusion, which is more dumb material that took the viewer for granted, makes the suffering continue till the very end. It is an abhorrent product coming from such a respected brand like Yashraj.
The Yashraj Films-produced, high-budget movie Shamshera debuted to some fanfare, at least within the bollywood community. However, nothing met expectations, and everything came to naught. Both the small audience that saw the movie the first day and the critics gave it harsh criticism. The succeeding collections were small and the apertures were feeble. Overall, this has been a huge box office failure.
It is a hackneyed revenge tale with a dual role for the main character. It involves a young man named Baali who turns into a shamshera and engages in snugfests with the british and Shuddh Singh on opposing sides. There are far too many songs in the movie, and it all feels like it was made in the 1980s or 1990s. The plot is dated, and it is unclear why Yashraj Films decided to take on this production. The conclusion, which is more dumb material that took the viewer for granted, makes the suffering continue till the very end. It is an abhorrent product coming from such a respected brand like Yashraj.
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