The passionately in love Ajay (Bharath) and divya (Vani Bhojan), whose love knows no boundaries, are introduced to us via love. Following their nuptials, they travel in peace while dwelling in an apartment given to them by Divya's adoring father. Within a year of their marriage, however, their relationship's trajectory takes an unforeseen turn. Until the second part of the movie, the causes of their mounting unhappiness are a mystery.
As the narrative progresses, divya breaks the potentially life-altering news of her pregnancy, further straining their strained bond. ajay attacks his marriage with hostility because he is facing the demons of alcoholism and sadness brought on by a failing business. After a furious argument threatens Divya's life, ajay considers taking harsh measures to cover up the incident and even considers disposing of his partner's body. The challenges they have been battling are progressively revealed as the second half dives into their relationship's hidden secrets. The second half has a few twists, and exposing them would diminish the suspense.
As the story goes on, it becomes harder for us to relate to the main characters since we don't feel a connection to them. It's also much too ambitious of the filmmaker to inject uncertainty in the second half that makes it impossible for the audience to distinguish between what's genuine and what's made up.
The complexity of human emotions and the effects of unresolved marital problems are explored in the film Love. However, it is insufficiently efficient to make a difference. Even adulterous affairs and physical abuse are mentioned. However, bharath and vani Bhojan both provide excellent performances, convincingly capturing the emotions and torment that their characters experience. vani Bhojan's presence is felt throughout the entire film, despite her little appearance, and her performance in the second half is strong enough to keep our interest.
In the movie love, there appears to be a covert attempt to demonise all males. Take the words vivek Prasanna uses as an example. "Is there a man who does not want to kill his wife?" he asks, defending Ajay's death of his wife. This is nothing more than a pitiful attempt to generalise and portray all males as likely wife-beaters looking for an excuse to engage in domestic abuse. Furthermore, Love's narrative is unrealistic and difficult to relate to. The movie also raises a number of unresolved issues, which clouds the message it is trying to convey.
Overall, When exposing the problem of domestic abuse, the tamil version of love is not as strong nor as compelling as its malayalam equivalent.
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