Guntur Kaaram has received a lot of negative attention in recent days. Several media outlets are expressing unjustified concern over topics they have never addressed in the past. The media outlets have virtually launched a "save small cinema" campaign, which makes little logical sense.
Save Small cinema CampaignIf we look at the pre-release business of the films, guntur Kaaram has made more than 105 crore in telugu states, while the other three have made approximately Rs 55 crore. guntur Kaaram's earnings are more than double those of the other three films. Given the size of the firm, theatrical allocation would be proportionately large. Despite this evident commercial choice, many groups are spreading a lot of hatred over Trivikram's film getting released in prominent cinemas. It's not like guntur Kaaram has total control over all centres. It has also had theatre allocation troubles in Andhra Pradesh, and despite this, the media portrays Team guntur Kaaram as destroying tiny films.
Producers and distributors are having difficulty finding needed venues in Andhra Pradesh. Even in Nizam, there aren't many theatres starting on the third day, as other major cities have in the past. guntur Kaaram, like other films, is suffering, but the media isn't interested in writing about these facts and instead focuses on the areas where other films are hurting.Complaint with Ticket Price Hikes
In addition, a few media outlets have launched a hostile campaign over ticket increases. They are asking why a regional film like guntur Kaaram requires a ticket increase. This is absolutely agenda-driven writing. For a pan-India picture, recovery may be made from different languages, and there are other methods to make excellent money. In telugu films, particularly major ones, the recovery scope is limited to one language, and it is critical that the film get started to a solid start. Regardless of the increases, a film will only succeed if the material is strong, and the risk remains with the creators. As a result, increases are justifiable even for high-budget regional films.
Targetted Negative CampaignsThe issue here is that a segment of the
media is ultimately focused on attacking
guntur Kaaram. They hide their harmful intents under other films. They are targeting
dil raju in the guise of defending tiny
cinema, yet they are unconcerned about these minor flicks. All of these attempts to incite controversy regarding
guntur Kaaram through negative campaigns are clear, and recent occurrences demonstrate this.
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