In ooty, Rathnasamy is the owner of the Amudha Café, an eatery well-known for its sambar. Although he has a pleasant life in the hills with his family, a heart attack claims his life. He tells his son karthik, on his deathbed, that he had lived with Amudha (Deepa Shankar) before being married to his mother and that they had a son together. He will meet his stepbrother, karthik assures him. In order to perform Rathnasamy's last rites, karthik sets out to locate his stepbrother Sachin (Yogi Babu), who owns a roadside restaurant in chennai that is well-known for its chutney, and bring him to Ooty.

When Chutney sambar and yogi babu were originally introduced, there was worry that the show wouldn't end up being just another example of how to body-shame an actor and make people laugh. Sadly, Chutney sambar does give in to this to some level. However, karthik quickly corrects him by saying that Sachin (Yogi Babu) is not someone to be body shamed, and then they utilise various techniques to make you laugh. Even though there are a few clever one-liners throughout the show, it eventually changes course and becomes a family drama in the classic radha mohan manner.
 

The signature of radha mohan adorns Chutney Sambar. There are many characters that have good intentions towards everyone, and the drama arises from circumstances. Among the cast are well-known figures like elango kumaravel and vani Bhojan. Chutney sambar is mostly set at ooty following Sachin's removal from chennai to take part in Rathnasamy's last rituals.
 
Sachin's whereabouts are kept a secret from the late hotelier's wife and daughter, house chef Sophie (Vani Bhojan). karthik, his brother-in-law Ilango (Nithin Sathya), and servant Peter (Elango Kumaravel) are fighting to keep Sachin's identity a secret.
 
In order to establish an emotional bond and keep you interested in the show, radha mohan also incorporates a number of supporting characters, which contributes to the format's resilience over its several climaxes.
 
However, the series lacks the charm found in the majority of Radha Mohan's motion pictures. The introduction of the main characters through their speciality foods in the series feels out of place, even if the director stays true to one possible conflict and works his storyline around it.
 

Naturally, the goal appears to be symbolic: demonstrating how the two complimentary side dishes, chutney and sambar, go well together. It looks like there is yet more untapped potential.
 

A group of delectable personalities gather for a substantial lunch, and radha mohan does his hardest to present them on a plate.
 
 


 

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