Bollywood has not been in a good place since the Covid-19 epidemic. Large-scale productions are finding it difficult to turn a profit, whereas low-budget movies have succeeded in winning over audiences with faultless performances and narratives. On the other hand, the latter has contributed to the rise in popularity of several performers.
 
Despite the many ups and downs the hindi film business experiences, certain films have managed to keep bollywood afloat and have prevented its demise. Though it's possible that the past won't come back, it's still important to examine what's not working. Meanwhile, social media users are now focusing on a video that shows kriti sanon and Baadshah's chat with Nikhil Kamath. The three of them were seen talking about the state of bollywood at the time, and Sanon looked surprised when Kamath mentioned that hindi movies weren't doing well.
 

The Raabta actress provided an example of how well-received her last two movies were in theaters. However, Kamath clarified his remarks by stating that he had spoken with the proprietors of a few multiplex firms, who disclosed that the occupancy rate was lower currently than it was around five years prior. In addition, Kamath spoke on the subject of employment in bollywood, pointing out that it was formerly higher. Along with Sanon, baadshah expressed agreement that movies are not performing up to par, pointing out that whereas a profit of Rs. 100 crores was formerly considered a success, it is now considered a failure.
 

The fact that even stars are brushing off the issues that bollywood is facing right now is worrying. Stars used to be able to tolerate failure once. But in modern times, this is rare. Actors just sit at home and go mute when a movie doesn't work. In contrast to this, South Korean film still has a tendency to acknowledge its mistakes. The clearest example is ram Charan, who, after vinaya vidheya rama fared poorly at the box office, issued a letter of apology to his supporters. The interview has demonstrated once more how hindi filmmakers need to adapt their approach to making a tale come to life on screen. In addition, we want competent screenwriters who can create a script with original ideas.
 


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