The only provider for his family, which includes his parents and his eloped wife Vennila (Saanve Megghana), is Naveen (Manikandan). naveen is sacked from his job following a furious confrontation at work and his refusal to provide an apology for something he believes he did not do wrong. Overwhelmed by financial hardships and familial demands, Naveen's life management is crucial.
 

Following the tremendous success of Good Night and Lover, Manikandan returns with a narrative that, although it may seem like a straightforward conflict on paper, is presented in great complexity on screen. The idea that Kudumbasthan sparked is not a far cry from reality. Kudumbasthan has the ability to convey those feelings in the most humorous yet sympathetic manner, which makes a difference in avoiding being made fun of if you are someone who becomes anxious by the twentieth of every month, right when your bank account starts to deteriorate and household chores are still piling up one after another. Imagine what a job loss might do now, and the movie becomes a masterful prelude to a hilarious drama that is emotionally packed.
 

The uncomfortable family gatherings, the frantic attempts to conceal unemployment, and the more complex falsehoods that accumulate like dirty laundry are all scenes when the movie shines. In a humorous scene, naveen uses some cunning manipulation of rajendran to plan his parents' 60th wedding anniversary celebration, only to have it backfire on him when his unemployment is revealed in front of the whole family.
 

The first half of the movie Kudumbasthan might amusingly set you up. Following a hurried scene in which naveen and Vennila abscond in order to get married legally, the movie masterfully takes use of the family drama genre. The opening hour or so of the movie, which seems like a smoothly interwoven stretch of crisp comedic skits, never has a boring moment. The filmmaker Rajeshwar Kalisamy of Nakkalites fame and actor and writer Prasanna Balachandran use their YouTube expertise to craft humorous and healthful language and screenplay. One-liners are quite effective, and Kudumbasthan's very original comedy is not adequately conveyed by just translating it here.
 

However, the two-and-a-half-hour picture goes on for too long. The business endeavors subplot feels more like a checklist than a cohesive narrative thread, and the job-hunting scenes drag on. You may question why a talented graphic designer is unable to secure another job. Logic is more than just coffee breaks.
 

With Kudumbasthan's clean comedy, clever storytelling, and inherent lightheartedness, Manikandan excels once more. But it's not just that. Rajeshwar is a filmmaker to watch since the movie knows how to play to the strengths of its performers. Overall, however, Kudumbasthan seems to be that one movie that appeals to viewers of all ages while also strongly suggesting that tamil cinema has successfully opened its account for 2025.
 

Overall, Go For It Without Any Hesitation!

Ratings: ⭐⭐⭐⭐

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