The director of Thandel, Chandoo Mondeti, has worked with naga chaitanya twice before this is his third collaboration. sai pallavi introduces satya and Raju's love track at the beginning of the film. The audience is immediately drawn in by the positive feeling created by the genuine environment. 

The songs that follow, such as shiva shiva and Hilesso Hilessa, successfully establish the tone for an intense love tale, drawing listeners in even more. Namo Namah Shivaya's build-up, meanwhile, should have been far better. Although the buildup to it isn't strong, it arrives immediately after Raju transforms into Thandel Raju. This song would have had a far greater effect if it had been preceded by a powerful block.

What follows is a captivating love story with well-written language and chats between Raju and Satya. The leisurely tempo doesn't detract from the fascination, which is further heightened by DSP's music. Even when the tone becomes solemn, it never gets monotonous. Things are kept interesting by chaitanya and Pallavi's performances in the train station episode. The first half is still entertaining to watch because to the halftime block and twist. The audience anticipates a robust emotional journey in the second half to build upon the director's work thus far because the love narrative has a firm basis by this time.
 
 

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