Sanjay rajkot Aka Sikandar (Salman Khan) fights with arjun Pradhan (Prateik Babbar), who is the son of Pradhan (Sathyaraj), a state minister. Inspector Prakash (Kishore) is sent by Pradhan to arrest Sanjay at his home the following day.  Eventually, Prakash learns of Sanjay's popularity in rajkot and how his wife, Saisri rajkot (played by Rasmika Mandanna), devotedly supports her husband.

Saisri dies while attempting to protect Sanjay from an attack.  After his wife dies, Sanjay learns that she promised to give her organs.  He chooses to go and meet the three individuals to whom Saisri's organs were donated after obtaining their information with the assistance of a physician. What difficulties did Sanjay encounter when he visited the three individuals?  How did Sanjay get even with Pradhan and his son?  shapes the remainder of the narrative.

Throughout the entire movie, salman khan appeared disengaged and uninterested.  His portrayal of a spouse coping with his wife's unexpected loss falls short of the emotional impact that is intended.  Even during the action scenes, he was quite different from who he usually is.
 
Rashmika Mandanna did a respectable job portraying a queen and a kind wife, but every time she and salman khan came together on screen, it was clear that they didn't click.  Kajal Agarwal performed admirably in her role, which was modeled after varsha Bollamma's in Vijay and Atlee's "Bigil."


Both sharman joshi and Satyaraj are squandered in a badly written antagonistic role as amar and Satyaraj, respectively.  As the pampered brat son of a minister, prateik babbar performed passably.  The only performer in the movie who successfully engaged the audience in a few scenes with his comedic timing is Jatin Sarna, who plays a cab driver in Mumbai.

Pritam's compositions are unmemorable.  The lack of connection between salman khan and rashmika mandanna made the songs appear extra onscreen, and not a single song in the movie is catchy.  Even worse is Santhosh Narayanan's background score.  Throughout the entire movie, his music did not fit in well with the action.
 
Regardless of the films' final results, Thirunavukarasu's cinematography generally shines out, but in Sikandar, even his work falls short. vivek Harshan's editing was fine.  He is powerless over such a poorly produced movie.  Salman Khan Films and NGE Pvt Ltd's production values were satisfactory.


The difficulties the husband encountered after his wife died are depicted in Sikandar, a fitting emotional drama between a devoted husband and wife.  The audience finds it difficult to endure the emotional drama that plays out on film because they were expecting an action drama based on the false information they were given in the teaser and trailer.  Furthermore, the drama's on-screen development is utterly antiquated, corny, and gives off a déjà vu vibe.
 

The fundamental plot of organ donation and allowing your organs to continue to function even after death is a good one, but the screenplay murugadoss used to convey the message is clichéd and uninteresting.  He repeated several scenes from several telugu and tamil movies from the past.  Regretfully, the rehashing was a huge failure.  Unfortunately for murugadoss, neither the actors nor the technicians were willing to help him execute a shoddy script.

Overall, instead of watching this, even watching a ceiling fan rotating above your head is worth!

Ratings: ⭐
 



 


 
 


 

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