The two most talked-about deaths to date are undoubtedly those of Bhatia and richard E. Grant's Odell, the latter of whom is impaled through the head by one of the unicorn parents, even though Scharfman uses his main idea for many significant fatalities. The former proved surprising because she was one of the cast's morally upright characters and did not exhibit the same ego as the wealthy family she works for, whereas the latter is typically regarded as a welcome kill because of how evil he turns after being revived by the foal's blood and horn shavings.
 

However, as Scharfman points out above, she still had one of the vials of unicorn horn shavings in her possession just before she died, indicating that her hands are not entirely pure of iniquity.  According to the movie, the unicorns have an electromagnetic sense of one another and their horns. As a result, even though Bhatia may have given the audience and the unicorn parents a positive, non-threatening image, she had wronged them with her actions and was therefore deserving of death in their eyes.
 

However, Mani's murder in Death of a Unicorn is more than just a gory death to amuse aficionados of the horror genre; it also serves as a warning to the individuals surrounding her, especially Paul Rudd's Elliot.  He is also one of the more morally upright characters, however he regularly exhibits indications of avarice while claiming to be giving himself and Jenna Ortega's Ridley a better life.  But he escapes the same fate as Bhatia by giving up the foal's horn at the conclusion of the film and attempting to murder Will Poulter's Shep before he can bind the parents.
 

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