Arjun Radhakrishnan, who will play collector ajay Tange, is drawing more attention in the supporting role than the others. ajay Tange, the collector, has the tone, stress, and responsibilities of a high-ranking official. The cinematography is Bada's greatest strength. With his camera vision, cinematographer Samir Tahir has created a highly realistic Bada. His shot design maintains a consistent connection to the plot in order to match the story's tone. vishnu Vijay's soundtrack and Liju's editing are both one-of-a-kind.

In a scenario like this, the screenplay, despite its flaws, turns out to be a documentary. However, the screenplay of 'Bada' is its strongest asset. The purpose of the Ayyankali force, the problems of the tribesmen who incited them to fight, the legal positions, the police, the Central and State Governments' reactions to the Collector's hostage, the mediation, the court's activities, not only the hostage collector, but also the families of the four fighters, their legitimate fear, food, water, and so on. director Kamal KM has put everything in its proper place, as required, while maintaining the core of the Ayyankali force's struggle.

Without any extraneous sequences or flashback episodes, the four main characters have said explicitly what they came up with to make the screenplay as sharp as their family scenes. Even the slightest detail of what transpired that day, such as 'You may be a hostage here, but in reality the hostages are oppressed people,' remains the same, and every second unites us with the film.
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G GOWTHAM

17/03/2022 02:00 AM