Crockett Island, which had a population of 127 people, was getting old and rotting on the inside. Riley, the prodigal son, returns to this island family after a horrible injury from which he is trying to heal. When the priest arrives, he brings with him his miracles and mysteries. When faith blinds you, you can't tell the good from the bad - this is the theme of the show, and anything more would disclose the narrative and spoil the fun for viewers.


Mile Flanagan's past works, such as The Haunting of Hill house and Bly Manor, were beloved and praised because they featured human emotions that brought people together, which this show lacked. Of sure, there were some lovely exchanges, breathtaking goosebumps sequences, and rash deeds, but there was something missing from this presentation.


The show is still enjoyable, and some critics claim that this is Mike Flanagan's best work yet, which I refuse to accept because it lacked the emotional connection that Bly Manor had. Even though this show is far superior in terms of production value, Bly Manor had this moment that made us all fall in love with that show, which this show completely lacked. It's not Mike's best work, but it's also not his worst. This is a must-see play if you enjoy slow-burning thrillers and mysteries that unfold over time with breathtaking and stunning locations and superb performances.

Find out more: