The director gets a thumbs down for not building proper characterizations for all of these people. Not that there aren't any entertaining moments in the film. The discussion involving prabhas and Krishnam Raaju regarding palm reading and astrological stuff, as well as the episode with Riddhi kumaar and the train scenario, keep our attention. Another lovely scene is pooja hegde discovering the surprise.
The songs are the lifeblood of any love storey. Songs have an important role in helping happy endings touch the minds and lives of the audience, from Maniratnam's Geetaanjali and Sakhy to Sekar Kamuula's latest romantic Story. "Raadhe Shyam" ends out with a collection of dreadfully mediocre tunes. Furthermore, the movie's 1970s backdrop has no bearing on the major conflict or narrative. The whole thing appears arrogant and artificial. It served no use other than to increase the production budget.
"Raadhe Shyyam" is one of the most expensive films ever made in India. It's no surprise that the movie's aesthetic and creative qualities are outstanding. However, underneath the shiny exterior, the film appears to be superficial. This is exclusively for multiplex audiences, not single screen audiences. This astrologically based love has a hard time connecting with the general public. Producing this picture with Prabhaas, a pan-Indian mass idol, could backfire economically and also most of the scenes prabhas face looks as if it's photoshopped.
The songs are the lifeblood of any love storey. Songs have an important role in helping happy endings touch the minds and lives of the audience, from Maniratnam's Geetaanjali and Sakhy to Sekar Kamuula's latest romantic Story. "Raadhe Shyam" ends out with a collection of dreadfully mediocre tunes. Furthermore, the movie's 1970s backdrop has no bearing on the major conflict or narrative. The whole thing appears arrogant and artificial. It served no use other than to increase the production budget.
"Raadhe Shyyam" is one of the most expensive films ever made in India. It's no surprise that the movie's aesthetic and creative qualities are outstanding. However, underneath the shiny exterior, the film appears to be superficial. This is exclusively for multiplex audiences, not single screen audiences. This astrologically based love has a hard time connecting with the general public. Producing this picture with Prabhaas, a pan-Indian mass idol, could backfire economically and also most of the scenes prabhas face looks as if it's photoshopped.
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