One Way is a typical movie, and as it progresses, each archetype is simple to recognise and the plot's direction is quickly revealed. Perhaps what weakens an otherwise excellent crime thriller is Ben Conway's screenplay. The writing Baird is using has hollow writing. For the excellent concepts in the story, it lacks depth or a plan for how to implement them. For instance, the bus could serve as the sole location for the movie's set. It would be enough to have a single-location thriller with a desperate young man whose life depends on whether he can get away from his merciless boss, who is never seen and is only heard on the phone. It was also necessary to develop the additional emotional and moral problem Freddy faces when travelling with his fellow passengers.
One Way has a talented director, an aspirational actor, and decent concepts. Beyond straight-to-VOD releases, Baker is clearly on the fast track to success thanks to his personality and tenacity. Hopefully, he'll start picking better movies. One Way won't go down in the annals of crime thrillers, but its greatest triumph should be paving the way for Colson Baker and Andrew Baird's eventual ascent in the movie business.