The girl On The train, which was adapted into a movie and released a year after the novel's publication, served as a reminder that not all works with identical qualities can be successfully adapted into movies. Luckiest girl Alive and Knoll are now having their moment on Netflix after years of hollywood trying to emulate the popularity of Gone girl and the desire for female-led stories that explore the depravity of mankind.
The story of Ani (Mila Kunis), a successful magazine writer who is 28 years old and about to start a new adventure—marriage—is told in Luckiest girl Alive. Ani is keeping a secret, though, concerning her time in high school, when she overcame a string of horrific incidents, including a sexual assault and a school shooting. Being on the cusp of a new chapter forces Ani to reflect on the past and consider whether or not she is actually content with the person she has become, or if her horrific past has been completely and honestly put behind her.
The beginning of the movie doesn't nearly imply audiences will receive another great work of art like Gone girl because it neither establishes a distinctive cinematic style nor entices viewers with Kunis' narration. Ani is a woman who has cultivated a persona of the stylish, edgy girl with certain modifications. Ani explains that while she is not some blonde and has worked her way up the corporate ladder, she is not the conventional lady her fiancé would be engaged to. Because she is anything but, she made up a fake persona of herself that radiates success, confidence, and money. The protagonist of the movie struggles to rebuild her self-worth and image after suffering a serious trauma.
The audience for Luckiest girl Alive will definitely identify with flawed women who are coping with society's unjust expectations. Mila Kunis also has an unmistakable draw, regardless of how well the movie she stars in is made. This movie shows that simply reenacting a novel's events won't transition well since there are barriers between literature and cinema. The novel in question is about a highly powerful story about sexual assault and trauma. The movie's visuals never reach extraordinary heights, and the narrative isn't quite as compelling as what was acclaimed about Knoll's book when it was written.