Salman's Next: After Sikandar—Still Not Figuring It Out?
Salman Khan's latest mind on working with sooraj barjatya another time has ignited a passionate debate among fanatics and movie buffs.
At the same time as Salman's mythical performances in Barjatya's own family dramas, which include Hum Aapke Hain Koun and Hum Saath Saath Hain, are imprinted in bollywood history, most fans consider that the days of such cinema are gone, lost in nostalgia.
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"Who watches such movies anymore?" is a refrain being heard on social media. Audiences contend that Barjatya's inimitable fashion—primarily based on his own family values and melodrama—seems off the mark for the current excessive-velocity, OTT-centric amusement scene.
Gen Z's inclination in the direction of uncooked, socially engaged programming and visually pushed narratives on structures that include TikTok and instagram means they'll now not be drawn to such films.
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Even Barjatya stated that his audience is specially constituted of older generations, with children regularly giving his movies a pass over altogether. Salman's fanatics are pushing him to appear outwards.
They need him to crew up with brand new filmmakers who deal in high-idea, occasion-sized movies that resonate with current sensibilities. Movies like Pathaan or rrr have created standards for scale and innovation, and fanatics sense salman must use his stardom to assist in creating such cinematic extravaganzas.
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Others are also calling for a wreck if fitness is an issue. They advocate Salman's return, refreshed with assignments that push his consolation sector as opposed to reusing vintage formulation.
While Barjatya's legacy is unassailable, the question nevertheless lingers: Can nostalgia itself propel container workplace success in the rapid-paced marketplace these days?
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