Unlike the other genres, time travel stories are not something we encounter frequently every Friday. When they do arrive, there is undoubtedly a great deal of anticipation and curiosity. The main idea of Aditya 369, Suriya's 24 and Awe, Adbhutam, and even the most current Bimbisara all involve time travel. The Oke Oka Jeevitham by Sharwa and Shree Karthick has a similar pedigree but is treated differently.

The earlier time-travel movies blended fantasy, folklore, comedy, love stories, and other genres together. On the other side, OOJ focuses on sentiment—more specifically, mother and son sentiment. The movie delves deeply into the loss of a son who still has a hard time forgetting his mother 20 years after her passing.

For the son's moving story, director Shree Karthick uses a time-travel background. Will he be successful in changing the past when he goes back in time to save her from a terrible accident? Beyond this, OOJ serves no higher goal. The purpose of using a time machine to go across time (which is unlike from any other time machine we have seen in our films in that it is vertical) is fine. Unlike previous time-travel movies, which are typically enormously huge and larger-than-life, the creators kept everything discreet and simple.

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OOJ